{"created":"2022-01-25T01:51:46.794552+00:00","id":2001224,"links":{},"metadata":{"_buckets":{"deposit":"2845d696-8c58-4bfc-bd90-f4a94751d122"},"_deposit":{"id":"2001224","owners":[1],"pid":{"revision_id":0,"type":"depid","value":"2001224"},"status":"published"},"_oai":{"id":"oai:u-ryukyu.repo.nii.ac.jp:02001224","sets":["1642837622505:1642837745608:1642837768808","1642838403551:1642838405037"]},"author_link":[],"item_1617186331708":{"attribute_name":"Title","attribute_value_mlt":[{"subitem_1551255647225":"独唱・重唱・合唱の基礎としてのベル・カント唱法指導原理1-2 : 「腰へのブレス」から「舌だし発声のフォーム」まで","subitem_1551255648112":"ja"},{"subitem_1551255647225":"The Guiding Principle 1-2 for the Bel Canto Singing Technique as the Foundation for Solo, Ensemble & Choral Singing - From \"how to take in the breath at the waist\" to \"how to put out the tongue for the tongue-sticking-out vocalization\"","subitem_1551255648112":"en"}]},"item_1617186419668":{"attribute_name":"Creator","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"服部, 洋一","creatorNameLang":"ja"}]},{"creatorNames":[{"creatorName":"Hattori, Yoichi","creatorNameLang":"en"}]}]},"item_1617186476635":{"attribute_name":"Access Rights","attribute_value_mlt":[{"subitem_1522299639480":"open access","subitem_1600958577026":"http://purl.org/coar/access_right/c_abf2"}]},"item_1617186626617":{"attribute_name":"Description","attribute_value_mlt":[{"subitem_description":"本論「同1-1－基本的概念から身体の柔軟性と姿勢まで」に引き続き、呼吸活点を中心とした｢腰へのブレス｣、それに伴う胸郭・腹部・腰部の理想的なあり方、「内観」の重要性、歌唱の際にアタックにおいて必要とされる息のインパクトを得させるための「腰での息のはじき方｣、「短呼吸」、｢舌だし発声」の準備としての舌だしのフォームについて等、それぞれの訓練法・教授法も含めて論及している。","subitem_description_type":"Other"},{"subitem_description":"紀要論文","subitem_description_type":"Other"}]},"item_1617186643794":{"attribute_name":"Publisher","attribute_value_mlt":[{"subitem_1522300295150":"ja","subitem_1522300316516":"琉球大学教育学部"}]},"item_1617186702042":{"attribute_name":"Language","attribute_value_mlt":[{"subitem_1551255818386":"jpn"}]},"item_1617186783814":{"attribute_name":"Identifier","attribute_value_mlt":[{"subitem_identifier_type":"HDL","subitem_identifier_uri":"http://hdl.handle.net/20.500.12000/868"}]},"item_1617186920753":{"attribute_name":"Source Identifier","attribute_value_mlt":[{"subitem_1522646500366":"ISSN","subitem_1522646572813":"1345-3319"},{"subitem_1522646500366":"NCID","subitem_1522646572813":"AA11393705"}]},"item_1617186941041":{"attribute_name":"Source Title","attribute_value_mlt":[{"subitem_1522650068558":"ja","subitem_1522650091861":"琉球大学教育学部紀要"}]},"item_1617187056579":{"attribute_name":"Bibliographic Information","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2004-09","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"65","bibliographicPageEnd":"53","bibliographicPageStart":"33"}]},"item_1617258105262":{"attribute_name":"Resource Type","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_1617265215918":{"attribute_name":"Version Type","attribute_value_mlt":[{"subitem_1522305645492":"NA","subitem_1600292170262":"http://purl.org/coar/version/c_be7fb7dd8ff6fe43"}]},"item_1617605131499":{"attribute_name":"File","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_access","filename":"Vol65p33.pdf","mimetype":"application/pdf","url":{"objectType":"fulltext","url":"https://u-ryukyu.repo.nii.ac.jp/record/2001224/files/Vol65p33.pdf"},"version_id":"68d5b792-73a7-47d9-90f4-697a0f1c971a"}]},"item_title":"独唱・重唱・合唱の基礎としてのベル・カント唱法指導原理1-2 : 「腰へのブレス」から「舌だし発声のフォーム」まで","item_type_id":"15","owner":"1","path":["1642837768808","1642838405037"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2007-07-12"},"publish_date":"2007-07-12","publish_status":"0","recid":"2001224","relation_version_is_last":true,"title":["独唱・重唱・合唱の基礎としてのベル・カント唱法指導原理1-2 : 「腰へのブレス」から「舌だし発声のフォーム」まで"],"weko_creator_id":"1","weko_shared_id":-1},"updated":"2022-10-31T00:44:18.677198+00:00"}