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  1. 紀要論文
  2. 琉球大学語学文学論集
  3. 37号
  1. 部局別インデックス
  2. 法文学部

第一次世界大戦と戦争詩人 トマス・ハーディからアイザック・ローゼンバーグまで(4) Wilfred Owen (1893~1918)

http://hdl.handle.net/20.500.12000/18207
http://hdl.handle.net/20.500.12000/18207
d54a97ca-2513-44d0-b249-d6d8b6905a54
名前 / ファイル ライセンス アクション
No37p019.pdf No37p019.pdf
Item type デフォルトアイテムタイプ(フル)(1)
公開日 2010-10-12
タイトル
タイトル 第一次世界大戦と戦争詩人 トマス・ハーディからアイザック・ローゼンバーグまで(4) Wilfred Owen (1893~1918)
言語 ja
タイトル
タイトル The First World War and the English War Poets: From Thomas Hardy to Issac Rosenberg(4) Wilfred Owen(1893-1918)
言語 en
作成者 吉村, 清

× 吉村, 清

ja 吉村, 清

Search repository
Yoshimura, Kiyoshi

× Yoshimura, Kiyoshi

en Yoshimura, Kiyoshi

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
内容記述
内容記述タイプ Other
内容記述 Unlike other young men who eagerly rushed to the Western Front with patriotic idealism and naive heroism after the outbreak of the War, Wilfred Owen was at first skeptical about the meaning of the war. He refused to see the war as basically just a struggle between the peace-loving powers--Britain and France--and the greedy and bellicose forces of Prussian militarism.\nHowever, in October, 1915, fourteen months later after the out-break of the War, Owen joined the Artist's Rifles because he felt it his duty to enlist, and served bravely in France until he experienced the terrors and horrors of the Somme Offensive in 1917. Disillusioned and heavily shell-shocked, he was sent home to Craiglockhart War Hospital in June, 1917. There he fortuitously met Siegfried Sassoon, an already-distinguished poet, who greatly helped Owen see the war neither as glorious nor romantic but instead as obscene, inhuman, and wasteful. Under the influence and encouragement of the older poet, Owen, an "injustice collector," began to produce a series of anti-war poems derived from his trench experiences. As a soldier/pacifist, he pursued the theme of "the pity of war," writing more eloquently than other war poets of of his generation the tragedy of young soldiers suffering and dying in battle.\nOn the other hand, he also wrote poems in an angry and indignant tone against the war-mongering generals, journalists, clerics and civilians at home. His humane view of young soldiers as both killers/victims is quite convincing, but he fails to see the other participants of the war in a fair-minded way, only attacking and condemning them. This naturally hinders him from evaluating the war at a more distant, objective, and wider perspective. These limitations impede him from developing war poety of universal worth.
内容記述
内容記述タイプ Other
内容記述 紀要論文
出版者
言語 ja
出版者 琉球大学法文学部
言語
言語 jpn
資源タイプ
資源タイプ departmental bulletin paper
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
識別子
識別子 http://hdl.handle.net/20.500.12000/18207
識別子タイプ HDL
収録物識別子
収録物識別子タイプ ISSN
収録物識別子 0387-7957
収録物識別子
収録物識別子タイプ NCID
収録物識別子 AN00250581
収録物名
言語 ja
収録物名 琉球大学語学文学論集
収録物名
言語 en
収録物名 Ryudai review of language & literature
書誌情報
号 37, p. 19-43, 発行日 1992-12
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