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  1. 紀要論文
  2. 琉球大学教育学部紀要
  3. 19号
  1. 部局別インデックス
  2. 教育学部

沖縄の踊りの表現特質に関する研究 (1) : 古典舞踊「かぎやで風」について

http://hdl.handle.net/20.500.12000/29880
http://hdl.handle.net/20.500.12000/29880
847320ac-c46e-4e9f-b68e-cf9183d80dde
名前 / ファイル ライセンス アクション
No19-2p051.pdf No19-2p051.pdf
Item type デフォルトアイテムタイプ(フル)(1)
公開日 2014-11-20
タイトル
タイトル 沖縄の踊りの表現特質に関する研究 (1) : 古典舞踊「かぎやで風」について
言語 ja
作成者 金城, 光子

× 金城, 光子

ja 金城, 光子

Kinjo, Mitsuko

× Kinjo, Mitsuko

en Kinjo, Mitsuko

アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
内容記述
内容記述タイプ Other
内容記述 The aims of this paper are 1) to analyze the structure of Okinawan classical dance from the kinetic and aesthetic points of view, and 2) to distinct representative feature of the Okinawan traditional dance. In the present study, "KAJADIFŪ" as a Old-Man Dance was treated. For this purpose, the auther managed following Effort-Shape-Analysis, 1) to be performed the dance by the professional dance, 2) to photograph the performance, 3) to draw on the transparent paper the reflection images or shapes by the profile-projector every 2 or 9 sections, 4) to number and time each section through the performance, and 5) to draw the overlapping profile of moving phrases. By this, the auther tried to define the whole structure of the dance, and analysis the line of representative motion. These were 4,845 sections in all, and it took about 4'48" to perfome the dance. It was figured 730 of reflection images. The classical dance '"KAJADIFŪ" is performed with a folding fan in one's right hand as a congratulation. The "KAJADIFŪ" is composed of three parts, that is 1) Injifa (in), 2) Naka-odori (dancing), and 3) Irifa (out), and these three components make temporal feature of Okinawan classical dance. "NAKA-odori" has its definite four parts: Introduction, development, turn, and conclusion, and it is defined as highly complete and stable composition. The speed or time of performing is very slow, and occassionally it takes four beat to make one step, therefore it is said that the performing speed closly adjust to the Okinawan traditional music, which is seem to be composed of regurality of irregular tempo. Basic body shape: the lower back is not released. There is allong, lifted line from the base of the spine to the top of the head, through the torao. The chin is tucked in slightly. While the torao is stretched and held, the arms are light and comparitively relaxed. They are rounded and rotated slightly forward when in their natural position. The legs are bent slightly. The feet are parallel. The weight is kept forward.
内容記述タイプ Other
内容記述 紀要論文
出版者
言語 ja
出版者 琉球大学教育学部
言語
言語 jpn
資源タイプ
資源タイプ departmental bulletin paper
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
識別子
識別子 http://hdl.handle.net/20.500.12000/29880
識別子タイプ HDL
収録物識別子
収録物識別子タイプ ISSN
収録物識別子 0386-5746
収録物識別子タイプ NCID
収録物識別子 AN00250446
収録物名
言語 ja
収録物名 琉球大学教育学部紀要 第二部
書誌情報
号 19, p. 51-67
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