{"_buckets": {"deposit": "2b333485-b730-40e2-b67f-2e7e1f6e660e"}, "_deposit": {"id": "2007769", "owners": [1], "pid": {"revision_id": 0, "type": "depid", "value": "2007769"}, "status": "published"}, "_oai": {"id": "oai:u-ryukyu.repo.nii.ac.jp:02007769", "sets": ["1642837751052", "1642838405037"]}, "author_link": [], "item_1617186331708": {"attribute_name": "Title", "attribute_value_mlt": [{"subitem_1551255647225": "\u821e\u8e0a\u8a8d\u77e5\u306e\u610f\u5473\u8ad6\u7684\u7814\u7a76 (\u305d\u306e\u4e8c) : \u7409\u7403\u821e\u8e0a\u306e\u60c5\u5831\u91cf", "subitem_1551255648112": "ja"}, {"subitem_1551255647225": "On the Appreciation of Dance (2) : A Study on the aftective meaning system of the dance", "subitem_1551255648112": "en"}]}, "item_1617186419668": {"attribute_name": "Creator", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "\u91d1\u57ce, \u5149\u5b50", "creatorNameLang": "ja"}]}, {"creatorNames": [{"creatorName": "\u5927\u57ce, \u5ba3\u6b66", "creatorNameLang": "ja"}]}, {"creatorNames": [{"creatorName": "Kinjo, Mitsuko", "creatorNameLang": "en"}]}, {"creatorNames": [{"creatorName": "Oshiro, Yoshitake", "creatorNameLang": "en"}]}]}, "item_1617186476635": {"attribute_name": "Access Rights", "attribute_value_mlt": [{"subitem_1522299639480": "open access", "subitem_1600958577026": "http://purl.org/coar/access_right/c_abf2"}]}, "item_1617186626617": {"attribute_name": "Description", "attribute_value_mlt": [{"subitem_description": "The main purpose of this study was to analyze the affective perception concerning the dance movements projected by the films. The first of all, it was claimed that the tetram structure of dance code as \u2018sign-meaning, could be transeformed into tetrahedron structure. In this way, S. K. Langer\u0027s aesthetic theory, espacially the problem of the dance motion or movement and gesture, was explained. Then the assumption of feeling value of movements, which presented by Matsumoto and Kawaguchi, was reanalyzed from the entropy measure, H, point of view,. Fourty-two woman students in phisical education course at the University of Ryukyus responded to the sixteen pieces of Ryukyuan dance. The data collected from the association experiment were arranged in the use entrpy measure, H, as an index of perceptual feeling value of the virtual dance gesture or motion. The results were descriptively shown in the entropy measure, H, and, the range and the freequency of the response from and to the stimulus the objects. Associated words were shown, too.", "subitem_description_type": "Other"}, {"subitem_description": "\u821e\u8e0a\u306e\u904e\u7a0b\u306f\uff0c\u5275\u4f5c\u8005\u30fb\u6f14\u821e\u8005\u30fb\u9451\u8cde\u8005\u3092\u8981\u7d20\u3068\u3057\u3066\u69cb\u6210\u3055\u308c\u308b\u3002\u3053\u306e\u904e\u7a0b\u306f\u4f1d\u9054\u904e\u7a0b\u3068\u307f\u306a\u3057\u3046\u308b\u3002\u3053\u306e\u6642\uff0c \u57fa\u672c\u7684\u306b\u306f\u6f14\u821e\u8005\u306e\u69cb\u6210\u3059\u308b\u300c\u52d5\u304dmovement\u300d\u306b\u3088\u3063\u3066\uff0c\u821e\u8e0a\u306e\u300c\u8da3\u610fimport/\u610f\u5473meaning\u300d\u306f\u4f1d\u9054\u3055\u308c\u308b(\u91d1\u57ce\u30fb\u5927\u57ce1974\uff0c1975)\u3002Langer (1953) \u306b\u3088\u308c\u3070\uff0c\u300c\u3059\u3079\u3066\u306e\u821e\u8e0a\u7684\u52d5\u304d\u306f\u8eab\u632f\u308a\u3067\u3042\u308b All dancemotion is \u300cgesture\u300d 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