WEKO3
アイテム
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And this article is the second efforts in the study of Okinawan Dances. It was treated the \"SHUDUN\" in the traditional Okinawan woman\u0027s dances. The \"SHUDUN\" is the one of the typical \"Winagu-Dī-Udui\", which are performed by a girl with no properties, and express the wife\u0027s feeling of loneliness, lonesome and melancholy for the absence of her husband. This dance is featured with a dance technique, \"SANKAKU-MIZICHI,\" it is said that the wife\u0027s psychological and emotional tension is mainly expressed by he performer\u0027s expression and eye with static standing posture. It was taken the following steps in this study; 1)photographing of the performance, 2)drawing the whole dance movements in every 3 or 24 sections by the profile projector, 3)making of a series of overlapping shape of dance motion, 4)arrangement of the dance construction, and 5)analysis of the dance design, time, and space from the Laban\u0027s effort shape analysis point of view. It took 14 miniutes and 28 seconds to perfome the dance and had 15, 421 sections in the film. The main results are shown following 1) Basic body shape: the lower back is not released, the waist is shrinking, the upper part of body is slightly fallen in front, the shoulders are released and arms are set the body sides, legs are bent slightly, and the line of vision takes lower point faintly.; 2) Winagu-Dachi(Basic standing shape): the right leg is bent outside, and left leg is slightly stretched in front, then put the heel on the floor and lifted the toe., 3) Walking: all of the gesturing foot is in contact with the floor keeping with basic shape, the toes are lifted slightly, and whole body was pushed foward in constant weight., 4) Facing of the upper part of body is not free from the triangle which shaped with the face and shoulders, but synchronized the triangle., 5) The basic motion of effort shape are glide, press, wring, and dab, and, have flexible and light sustained shape., and 6) The construction of the dance \"SHUDUN\" is composed of three parts, that is a) Entrance, b) Dancing, and c) Exit. 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沖縄の踊りの表現特質に関する研究 (2) : 古典舞踊「「諸屯」について
http://hdl.handle.net/20.500.12000/29894
http://hdl.handle.net/20.500.12000/2989462a2e36a-d8fb-430c-bab7-b98de7615511
名前 / ファイル | ライセンス | アクション |
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No20-2p117.pdf
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Item type | デフォルトアイテムタイプ(フル)(1) | |||||||||
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公開日 | 2014-11-21 | |||||||||
タイトル | ||||||||||
タイトル | 沖縄の踊りの表現特質に関する研究 (2) : 古典舞踊「「諸屯」について | |||||||||
言語 | ja | |||||||||
タイトル | ||||||||||
タイトル | A Study on the Representative Feature of Okinawa Dance (2) : On the "SHUDUN" (Woman's dance) | |||||||||
言語 | en | |||||||||
作成者 |
金城, 光子
× 金城, 光子
× Kinjo, Mistuko
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アクセス権 | ||||||||||
アクセス権 | open access | |||||||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
内容記述 | ||||||||||
内容記述タイプ | Other | |||||||||
内容記述 | The purpose of this study was to clarify the representative characters of Okinawan Classical Dances from the aesthetic and kinematic points of view. And this article is the second efforts in the study of Okinawan Dances. It was treated the "SHUDUN" in the traditional Okinawan woman's dances. The "SHUDUN" is the one of the typical "Winagu-Dī-Udui", which are performed by a girl with no properties, and express the wife's feeling of loneliness, lonesome and melancholy for the absence of her husband. This dance is featured with a dance technique, "SANKAKU-MIZICHI," it is said that the wife's psychological and emotional tension is mainly expressed by he performer's expression and eye with static standing posture. It was taken the following steps in this study; 1)photographing of the performance, 2)drawing the whole dance movements in every 3 or 24 sections by the profile projector, 3)making of a series of overlapping shape of dance motion, 4)arrangement of the dance construction, and 5)analysis of the dance design, time, and space from the Laban's effort shape analysis point of view. It took 14 miniutes and 28 seconds to perfome the dance and had 15, 421 sections in the film. The main results are shown following 1) Basic body shape: the lower back is not released, the waist is shrinking, the upper part of body is slightly fallen in front, the shoulders are released and arms are set the body sides, legs are bent slightly, and the line of vision takes lower point faintly.; 2) Winagu-Dachi(Basic standing shape): the right leg is bent outside, and left leg is slightly stretched in front, then put the heel on the floor and lifted the toe., 3) Walking: all of the gesturing foot is in contact with the floor keeping with basic shape, the toes are lifted slightly, and whole body was pushed foward in constant weight., 4) Facing of the upper part of body is not free from the triangle which shaped with the face and shoulders, but synchronized the triangle., 5) The basic motion of effort shape are glide, press, wring, and dab, and, have flexible and light sustained shape., and 6) The construction of the dance "SHUDUN" is composed of three parts, that is a) Entrance, b) Dancing, and c) Exit. The main part of the dance, that is Dancing, is divided into three parts, they are "INJIFA-UDUI"(Nakama-Bushi)"NAKAUDUI" (Shudun-Bushi), and, "IRIFA-UDUI" (Shonganē-Bushi). | |||||||||
内容記述 | ||||||||||
内容記述タイプ | Other | |||||||||
内容記述 | 紀要論文 | |||||||||
出版者 | ||||||||||
言語 | ja | |||||||||
出版者 | 琉球大学教育学部 | |||||||||
言語 | ||||||||||
言語 | jpn | |||||||||
資源タイプ | ||||||||||
資源タイプ | departmental bulletin paper | |||||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
出版タイプ | ||||||||||
出版タイプ | VoR | |||||||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
識別子 | ||||||||||
識別子 | http://hdl.handle.net/20.500.12000/29894 | |||||||||
識別子タイプ | HDL | |||||||||
収録物識別子 | ||||||||||
収録物識別子タイプ | ISSN | |||||||||
収録物識別子 | 0386-5746 | |||||||||
収録物識別子 | ||||||||||
収録物識別子タイプ | NCID | |||||||||
収録物識別子 | AN00250446 | |||||||||
収録物名 | ||||||||||
言語 | ja | |||||||||
収録物名 | 琉球大学教育学部紀要 第二部 | |||||||||
書誌情報 |
号 20, p. 117-162, 発行日 1976-12 |