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  1. 紀要論文
  2. 琉球大学教育学部紀要
  3. 20号
  1. 部局別インデックス
  2. 教育学部

沖縄の踊りの表現特質に関する研究 (2) : 古典舞踊「「諸屯」について

http://hdl.handle.net/20.500.12000/29894
http://hdl.handle.net/20.500.12000/29894
62a2e36a-d8fb-430c-bab7-b98de7615511
名前 / ファイル ライセンス アクション
No20-2p117.pdf No20-2p117.pdf
Item type デフォルトアイテムタイプ(フル)(1)
公開日 2014-11-21
タイトル
タイトル 沖縄の踊りの表現特質に関する研究 (2) : 古典舞踊「「諸屯」について
言語 ja
作成者 金城, 光子

× 金城, 光子

ja 金城, 光子

Kinjo, Mistuko

× Kinjo, Mistuko

en Kinjo, Mistuko

アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
内容記述
内容記述タイプ Other
内容記述 The purpose of this study was to clarify the representative characters of Okinawan Classical Dances from the aesthetic and kinematic points of view. And this article is the second efforts in the study of Okinawan Dances. It was treated the "SHUDUN" in the traditional Okinawan woman's dances. The "SHUDUN" is the one of the typical "Winagu-Dī-Udui", which are performed by a girl with no properties, and express the wife's feeling of loneliness, lonesome and melancholy for the absence of her husband. This dance is featured with a dance technique, "SANKAKU-MIZICHI," it is said that the wife's psychological and emotional tension is mainly expressed by he performer's expression and eye with static standing posture. It was taken the following steps in this study; 1)photographing of the performance, 2)drawing the whole dance movements in every 3 or 24 sections by the profile projector, 3)making of a series of overlapping shape of dance motion, 4)arrangement of the dance construction, and 5)analysis of the dance design, time, and space from the Laban's effort shape analysis point of view. It took 14 miniutes and 28 seconds to perfome the dance and had 15, 421 sections in the film. The main results are shown following 1) Basic body shape: the lower back is not released, the waist is shrinking, the upper part of body is slightly fallen in front, the shoulders are released and arms are set the body sides, legs are bent slightly, and the line of vision takes lower point faintly.; 2) Winagu-Dachi(Basic standing shape): the right leg is bent outside, and left leg is slightly stretched in front, then put the heel on the floor and lifted the toe., 3) Walking: all of the gesturing foot is in contact with the floor keeping with basic shape, the toes are lifted slightly, and whole body was pushed foward in constant weight., 4) Facing of the upper part of body is not free from the triangle which shaped with the face and shoulders, but synchronized the triangle., 5) The basic motion of effort shape are glide, press, wring, and dab, and, have flexible and light sustained shape., and 6) The construction of the dance "SHUDUN" is composed of three parts, that is a) Entrance, b) Dancing, and c) Exit. The main part of the dance, that is Dancing, is divided into three parts, they are "INJIFA-UDUI"(Nakama-Bushi)"NAKAUDUI" (Shudun-Bushi), and, "IRIFA-UDUI" (Shonganē-Bushi).
内容記述タイプ Other
内容記述 紀要論文
出版者
言語 ja
出版者 琉球大学教育学部
言語
言語 jpn
資源タイプ
資源タイプ departmental bulletin paper
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
識別子
識別子 http://hdl.handle.net/20.500.12000/29894
識別子タイプ HDL
収録物識別子
収録物識別子タイプ ISSN
収録物識別子 0386-5746
収録物識別子タイプ NCID
収録物識別子 AN00250446
収録物名
言語 ja
収録物名 琉球大学教育学部紀要 第二部
書誌情報
号 20, p. 117-162
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