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  1. 紀要論文
  2. 琉球大学教育学部紀要
  3. 21号
  1. 部局別インデックス
  2. 教育学部

沖縄の踊りの表現特質に関する研究 (3) : 古典舞踊「高平良万歳」について

http://hdl.handle.net/20.500.12000/29896
http://hdl.handle.net/20.500.12000/29896
66b7a7c3-a03d-4f4c-b761-ce8200c562ce
名前 / ファイル ライセンス アクション
No21-2p033.pdf No21-2p033.pdf
Item type デフォルトアイテムタイプ(フル)(1)
公開日 2014-11-21
タイトル
タイトル 沖縄の踊りの表現特質に関する研究 (3) : 古典舞踊「高平良万歳」について
言語 ja
タイトル
タイトル A Study on the Repressentative Feature of Okinawa Dance (3) : On the "Takadēra Manzai" (Man's dance)
言語 en
作成者 金城, 光子

× 金城, 光子

ja 金城, 光子

Search repository
Kinjo, Mitsuko

× Kinjo, Mitsuko

en Kinjo, Mitsuko

Search repository
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
内容記述
内容記述タイプ Other
内容記述 The aim of this paper is to clarify the expressional features of Okinawan classical dance, the Takadera-Manzai, from the aesthetic and kinematic points of view. The following steps were taken in this study; 1) filming the performance of the Takadēra-Manzai (8mm, 16mm, and 35mm). The performer is Mr. Kōyū Shimabukuro, who is one of famous dancer in Okinawa. He performed the dance with a) full costumed style and b) no costumed but thights style. 2)tracing the figures of dance movements by means of profile projector, and 3)making the flow figures of overlapping shapes of dance movements. The Takadēra-Manzai, one of the Otoko-Odori, is composed of four songs, that is, 1. Michiyuki Kuduchi, 2. Manzai-Kōshi-Bushi, 3. Ufunsyari-Bushi, and 4. Sensuru-Bushi. In dancing to Michiyuki-Kuduchi, the performer put on their straw hats, weare on black kimono and leggings, and walk with sticks. This style symbolize that the characters are away from home and pursues the murder of their father. The each characters have a mask of lion, and dance to Manzai-Koshi-Bushi. They dance to Ufunsyari-Bushi and Sen-Suru-Bushi with no properties. In this scene of the dance they are waiting the chance to kill the enemy, and take revenge for their father's death. And it represents the spectacular scene of this dance. The Takadera-Manzai is composed with three parts of moving tempo, that is, static, fairly dynamic, and extremely dynamic. The patterns of effort shape of Takadēra-Manzai were classfied as following; 1) glide-direct, 2) press-direct with strong, 3) wring-strong, 4) dab-direct with quick, 5) flick-quick, and 6) punchi-quick. What is called kihon-dachi is the basic standing position of this dance, and performer begins his motion from the kihon-dachi in rubbing the floor with his sole of a foot, then returnes to kihon-dachi, Takadēra-Manzai is characterized as its techniques, Nidan-Bane, Niju-Gamaku, Ryo-Ashi-Keriage-Tobi, Ryo-Ashi-Fumikiri-Tobi.
内容記述
内容記述タイプ Other
内容記述 紀要論文
出版者
言語 ja
出版者 琉球大学教育学部
言語
言語 jpn
資源タイプ
資源タイプ departmental bulletin paper
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
識別子
識別子 http://hdl.handle.net/20.500.12000/29896
識別子タイプ HDL
収録物識別子
収録物識別子タイプ ISSN
収録物識別子 0386-5746
収録物識別子
収録物識別子タイプ NCID
収録物識別子 AN00250446
収録物名
言語 ja
収録物名 琉球大学教育学部紀要 第二部
書誌情報
号 21, p. 33-96, 発行日 1977-12
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