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Purpose The main purpose of this paper is to study the seven structural elements in Ryukyuan dance; that is, contents, structure, movements, stage properties, music, costume, and expression. B. Methods (1) Standards For criteria, the thirty DAS (Dance Appreciation Scale) constructed by opposing adjectives in Kinjo (\u002775) are used here: namely, the eighteen kinds of \"evaluative factors\" such as charming, good, interesting, substantial, and excellent; and the nine kinds of energetic factors such as active, dynamic, nimble, and powerful; and the three kinds of capacity-factors such as magnificent, grand, and grave. (2) Works Ten works which represent five kinds of Ryukyuan dance are shown: the Old Men\u0027s dance, \"Kajadifū\"; the Youth dance, \"Wakashu-kotei-bushi\"; the Men\u0027s dance, \"Takadēra-manzai\", \"Mēnu-hama\", \"Zei\", \"Nubui-kuduchi\"; the Traditional (or Classical) Women\u0027s dance, \"Shudun\", \"Kasekake\", and \"Inoha-bushi\"; and the General Women\u0027s dance, \"Hana-fū\". (3) Subjects Twenty female students at the University of the Ryukyus were tested: fifteen majoring in Health Education and Physical Education and five who belonged to Sport-clubs. (4) Process First, I distributed the copies of the contents of each dance to the students and gave supplementary explanations of them. Then, I showed them films (8mm Color Sound) of each dance separately. After giving them a break, I did it again. Finally, I let them evaluate the constituents of dance by seven grades according to DAS. (5) Disposition of Data I computed the average value of each evaluate factor separately according to the work and with the elements. Then I plotted the seven constituents of dance in a three dimensional space constructed by \"evaluative factors\" x \"energetic factors\" x \"capacity factors\". Also, I plotted the ten works in same space. (6) Investigation The research was done in March, 1975. C. Result and Consideration (1) Recognition System of the Works with movement-elements I illustrate the recognition system of the structural elements of Ryukyuan dance by the diagram No.11. As the diagram shows: in two dimensions of energy and capacity, the ten works are distinctly separated into four categories; namely, Men\u0027s dance, Old Men\u0027s dance, Youth dance, and Women\u0027s dance. This diagram gives a true account of the characteristics of each category of Ryukyuan dance. (2) Space Structures of the Constituents in Each Work In diagram No.7, I showed the space structure of each dance-constituent formed in the work \"kasekake\". In the evaluative dimension, movement, properties, music, and content were highly evaluative dimension, movement, properties, music, and content were highly evaluated to the same degree. Oppositely, expression, costume, and structure were lowly estimated to the same degree. 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舞踊の鑑賞構造に関する研究 (5) : 舞踊要素評定による琉球舞踊の認知体系
http://hdl.handle.net/20.500.12000/29900
http://hdl.handle.net/20.500.12000/299002f38d2e8-fe3c-4583-b423-b299c3527bd7
名前 / ファイル | ライセンス | アクション |
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No24-2p065.pdf
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Item type | デフォルトアイテムタイプ(フル)(1) | |||||||||
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公開日 | 2014-11-21 | |||||||||
タイトル | ||||||||||
タイトル | 舞踊の鑑賞構造に関する研究 (5) : 舞踊要素評定による琉球舞踊の認知体系 | |||||||||
言語 | ja | |||||||||
タイトル | ||||||||||
タイトル | A Study of Cognitive Structure of Dance Appreciation (5) : A Recognition System of Ryukyuan Dance | |||||||||
言語 | en | |||||||||
作成者 |
金城, 光子
× 金城, 光子
× Kinjo, Mitsuko
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アクセス権 | ||||||||||
アクセス権 | open access | |||||||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
内容記述 | ||||||||||
内容記述タイプ | Other | |||||||||
内容記述 | A. Purpose The main purpose of this paper is to study the seven structural elements in Ryukyuan dance; that is, contents, structure, movements, stage properties, music, costume, and expression. B. Methods (1) Standards For criteria, the thirty DAS (Dance Appreciation Scale) constructed by opposing adjectives in Kinjo ('75) are used here: namely, the eighteen kinds of "evaluative factors" such as charming, good, interesting, substantial, and excellent; and the nine kinds of energetic factors such as active, dynamic, nimble, and powerful; and the three kinds of capacity-factors such as magnificent, grand, and grave. (2) Works Ten works which represent five kinds of Ryukyuan dance are shown: the Old Men's dance, "Kajadifū"; the Youth dance, "Wakashu-kotei-bushi"; the Men's dance, "Takadēra-manzai", "Mēnu-hama", "Zei", "Nubui-kuduchi"; the Traditional (or Classical) Women's dance, "Shudun", "Kasekake", and "Inoha-bushi"; and the General Women's dance, "Hana-fū". (3) Subjects Twenty female students at the University of the Ryukyus were tested: fifteen majoring in Health Education and Physical Education and five who belonged to Sport-clubs. (4) Process First, I distributed the copies of the contents of each dance to the students and gave supplementary explanations of them. Then, I showed them films (8mm Color Sound) of each dance separately. After giving them a break, I did it again. Finally, I let them evaluate the constituents of dance by seven grades according to DAS. (5) Disposition of Data I computed the average value of each evaluate factor separately according to the work and with the elements. Then I plotted the seven constituents of dance in a three dimensional space constructed by "evaluative factors" x "energetic factors" x "capacity factors". Also, I plotted the ten works in same space. (6) Investigation The research was done in March, 1975. C. Result and Consideration (1) Recognition System of the Works with movement-elements I illustrate the recognition system of the structural elements of Ryukyuan dance by the diagram No.11. As the diagram shows: in two dimensions of energy and capacity, the ten works are distinctly separated into four categories; namely, Men's dance, Old Men's dance, Youth dance, and Women's dance. This diagram gives a true account of the characteristics of each category of Ryukyuan dance. (2) Space Structures of the Constituents in Each Work In diagram No.7, I showed the space structure of each dance-constituent formed in the work "kasekake". In the evaluative dimension, movement, properties, music, and content were highly evaluative dimension, movement, properties, music, and content were highly evaluated to the same degree. Oppositely, expression, costume, and structure were lowly estimated to the same degree. In the dimension of energy and capacity, music was evaluated much more highly than any other constitient. | |||||||||
内容記述 | ||||||||||
内容記述タイプ | Other | |||||||||
内容記述 | 紀要論文 | |||||||||
出版者 | ||||||||||
言語 | ja | |||||||||
出版者 | 琉球大学教育学部 | |||||||||
言語 | ||||||||||
言語 | jpn | |||||||||
資源タイプ | ||||||||||
資源タイプ | departmental bulletin paper | |||||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
出版タイプ | ||||||||||
出版タイプ | VoR | |||||||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
識別子 | ||||||||||
識別子 | http://hdl.handle.net/20.500.12000/29900 | |||||||||
識別子タイプ | HDL | |||||||||
収録物識別子 | ||||||||||
収録物識別子タイプ | ISSN | |||||||||
収録物識別子 | 0386-5746 | |||||||||
収録物識別子 | ||||||||||
収録物識別子タイプ | NCID | |||||||||
収録物識別子 | AN00250446 | |||||||||
収録物名 | ||||||||||
言語 | ja | |||||||||
収録物名 | 琉球大学教育学部紀要 第二部 | |||||||||
書誌情報 |
号 24, p. 65-75, 発行日 1980-12 |