WEKO3
アイテム
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Although it had been initially practiced inside the imperial court it gradually expanded among the people after the kingdom collapsed. Recently, there are two major schools of Ryukyu Classical Music named Afuso and Nomura. Although the classical music of Okinawa has been generally considered to be transmitted inside Okinawa, it also has a historical fact of the migration of people from this land. From that consideration there seems to be a transmission and succession of the above musical traditionoutside Okinawa too. So it can not be said that only by the people residing in Okinawa had the above art transmitted. This dissertation emphasize on the succession of Ryukyu Classical Music in Brazil, a land geographically located in a complete different location. Two key persons named Seihin Yamauchi(Yamanouchi) and Kikuko Kanai is considered to be very significant throughout this study. In 1952, Seihin Yamauchi went through his performance, research and initiated a new approach to Ryukyu Classical Music in Brazil. Particularly, the new approach was the formation of western notation of kunkunshi by what anyone became able to sing Ryukyu Classical Music and so on. As representative of Japan, Kikuko Kanai from Miyako Island participated in the 7th international summit on folk music in 1954 where she discussed about the uniqueness of Okinawan music in the conference. Moreover, she made a pioneering initiative to establish a branch of Nomuraryu Ongaku Kyoukai there. Above facts brought the significance of theoretical practice of Ryukyu Classical Music in Brazil. In fact, the teaching process became more theoretical to be practiced widely. As a result, studies on Ryukyu Classical Music developed some thoughts of‘internationalization\u0027 of the above music among Okinawan practitioners. This paper introduces the teaching process with metronome as one of those thoughts. Generally, performing arts are to be transmitted to the neighboring lands as practitioners can commute there easily. 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ブラジルにおける琉球古典音楽の継承 －沖縄からもたらされたそれぞれの「国際化」－
https://doi.org/10.24564/0002010114
https://doi.org/10.24564/000201011490e0bc72-400e-44ae-aaed-3973ae423058
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
No8p023.pdf
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| Item type | デフォルトアイテムタイプ（フル）(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2018-11-13 | |||||||||
| タイトル | ||||||||||
| タイトル | ブラジルにおける琉球古典音楽の継承 －沖縄からもたらされたそれぞれの「国際化」－ | |||||||||
| 言語 | ja | |||||||||
| タイトル | ||||||||||
| タイトル | Succession of Ryukyu Classical Music in Brazil : “Internationalization” brought from Okinawa | |||||||||
| 言語 | en | |||||||||
| 作成者 |
遠藤, 美奈
× 遠藤, 美奈
× Endo, Mina
|
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| アクセス権 | ||||||||||
| アクセス権 | open access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
| 主題 | ||||||||||
| 言語 | ja | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | ブラジル | |||||||||
| 主題 | ||||||||||
| 言語 | ja | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 移民 | |||||||||
| 主題 | ||||||||||
| 言語 | ja | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 琉球古典音楽 | |||||||||
| 主題 | ||||||||||
| 言語 | ja | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 山内盛彬 | |||||||||
| 主題 | ||||||||||
| 言語 | ja | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | 国際化 | |||||||||
| 主題 | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Okinawan immigrant society in Brasil | |||||||||
| 主題 | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Ryukyu Classical Music(Ryukyu Koten Ongaku) | |||||||||
| 主題 | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Seihin Yamauchi(Yamanouchi) | |||||||||
| 主題 | ||||||||||
| 言語 | en | |||||||||
| 主題Scheme | Other | |||||||||
| 主題 | Internationalization | |||||||||
| 内容記述 | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | Since the age of Ryukyu Kingdom‘Ryukyu Classical Music' has been practiced with a central focus on Sanshin(Okinawa Shamisen), initially in order to entertain the Chinese emissary of that age. Although it had been initially practiced inside the imperial court it gradually expanded among the people after the kingdom collapsed. Recently, there are two major schools of Ryukyu Classical Music named Afuso and Nomura. Although the classical music of Okinawa has been generally considered to be transmitted inside Okinawa, it also has a historical fact of the migration of people from this land. From that consideration there seems to be a transmission and succession of the above musical traditionoutside Okinawa too. So it can not be said that only by the people residing in Okinawa had the above art transmitted. This dissertation emphasize on the succession of Ryukyu Classical Music in Brazil, a land geographically located in a complete different location. Two key persons named Seihin Yamauchi(Yamanouchi) and Kikuko Kanai is considered to be very significant throughout this study. In 1952, Seihin Yamauchi went through his performance, research and initiated a new approach to Ryukyu Classical Music in Brazil. Particularly, the new approach was the formation of western notation of kunkunshi by what anyone became able to sing Ryukyu Classical Music and so on. As representative of Japan, Kikuko Kanai from Miyako Island participated in the 7th international summit on folk music in 1954 where she discussed about the uniqueness of Okinawan music in the conference. Moreover, she made a pioneering initiative to establish a branch of Nomuraryu Ongaku Kyoukai there. Above facts brought the significance of theoretical practice of Ryukyu Classical Music in Brazil. In fact, the teaching process became more theoretical to be practiced widely. As a result, studies on Ryukyu Classical Music developed some thoughts of‘internationalization' of the above music among Okinawan practitioners. This paper introduces the teaching process with metronome as one of those thoughts. Generally, performing arts are to be transmitted to the neighboring lands as practitioners can commute there easily. The investigation of this study clarified that in case of Brazil, as it is geographically aloof from Okinawa, the transmission and development was executed by the local Okinawan in Brazil. | |||||||||
| 内容記述 | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | 紀要論文 | |||||||||
| 出版者 | ||||||||||
| 言語 | ja | |||||||||
| 出版者 | 琉球大学国際沖縄研究所移民研究部門 | |||||||||
| 出版者 | ||||||||||
| 言語 | en | |||||||||
| 出版者 | International Institute for Okinawan Studies, University of the Ryukyus. | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 出版タイプ | ||||||||||
| 出版タイプ | VoR | |||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
| 識別子 | ||||||||||
| 識別子 | http://hdl.handle.net/20.500.12000/26575 | |||||||||
| 識別子タイプ | HDL | |||||||||
| ID登録 | ||||||||||
| ID登録 | 10.24564/0002010114 | |||||||||
| ID登録タイプ | JaLC | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | ISSN | |||||||||
| 収録物識別子 | 1881-0829 | |||||||||
| 収録物識別子 | ||||||||||
| 収録物識別子タイプ | NCID | |||||||||
| 収録物識別子 | AA12030729 | |||||||||
| 収録物名 | ||||||||||
| 言語 | ja | |||||||||
| 収録物名 | 移民研究 | |||||||||
| 収録物名 | ||||||||||
| 言語 | en | |||||||||
| 収録物名 | Immigration Studies | |||||||||
| 書誌情報 |
号 8, p. 23-42, 発行日 2012-09 |
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