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Since \u201cUnai\u0027 means the Sister-Goddess\u0027 who protects her brothers in the Ryukyuan-Okinawan folk religion where women are regarded as living goddesses themselves, the \u201cUnai\u201d discourse has been used for the empowerment of women in their various activities. The new interpretation of the denouement of this classic drama under female direction is that the metamorphosed woman-devil is given emphasis as a protagonist of the drama, and she leaves the stage not by expulsion but by her own independent will. There are two grounds for this interpretation: one is the historical background of the drama\uff08the religious reformation by the Regent Shou Jou-ken\uff09, which was caused by a feud between the side of Kikoe-Ohkimi and that of the King, and which is metaphorically expressed in the story of Syushin-Kaneiri where Wakamatsu is the embodiment of Confucianism and the Woman represents the native religion\uff09. 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Unaiismを拓く組踊『執心鐘入』の大団円 : フェミニスト・エスノグラフィーの可能性
http://hdl.handle.net/20.500.12000/33925
http://hdl.handle.net/20.500.12000/339253b5429b8-ffdc-4aa5-8eb6-099f28cdd2e8
名前 / ファイル | ライセンス | アクション | |
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Item type | デフォルトアイテムタイプ(フル)(1) | |||||||||
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公開日 | 2016-05-12 | |||||||||
タイトル | ||||||||||
タイトル | Unaiismを拓く組踊『執心鐘入』の大団円 : フェミニスト・エスノグラフィーの可能性 | |||||||||
言語 | ja | |||||||||
作成者 |
勝方=稲福, 恵子
× 勝方=稲福, 恵子
× Katsukata=Inafuku, Keiko
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アクセス権 | ||||||||||
アクセス権 | open access | |||||||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||
内容記述 | ||||||||||
内容記述タイプ | Other | |||||||||
内容記述 | For the 25^th anniversary of the Okinawan women's Unai-Festival, Syushin-Kaneiri( 1719)was put on stage with a new dramatic interpretation. Since “Unai' means the Sister-Goddess' who protects her brothers in the Ryukyuan-Okinawan folk religion where women are regarded as living goddesses themselves, the “Unai” discourse has been used for the empowerment of women in their various activities. The new interpretation of the denouement of this classic drama under female direction is that the metamorphosed woman-devil is given emphasis as a protagonist of the drama, and she leaves the stage not by expulsion but by her own independent will. There are two grounds for this interpretation: one is the historical background of the drama(the religious reformation by the Regent Shou Jou-ken), which was caused by a feud between the side of Kikoe-Ohkimi and that of the King, and which is metaphorically expressed in the story of Syushin-Kaneiri where Wakamatsu is the embodiment of Confucianism and the Woman represents the native religion). The other ground is the trinary system of the story—the Woman, Wakamatsu, and the Priest— which brings forth the tertiary to break through a dichotomy, and which presents “Unaiism” as a performative discourse on Okinawan women's activities. | |||||||||
内容記述タイプ | Other | |||||||||
内容記述 | 論文 | |||||||||
出版者 | ||||||||||
言語 | ja | |||||||||
出版者 | 琉球大学国際沖縄研究所 | |||||||||
言語 | ||||||||||
言語 | jpn | |||||||||
資源タイプ | ||||||||||
資源タイプ | journal article | |||||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
出版タイプ | ||||||||||
出版タイプ | VoR | |||||||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||
識別子 | ||||||||||
識別子 | http://hdl.handle.net/20.500.12000/33925 | |||||||||
識別子タイプ | HDL | |||||||||
収録物識別子 | ||||||||||
収録物識別子タイプ | ISSN | |||||||||
収録物識別子 | 2185-4882 | |||||||||
収録物識別子タイプ | NCID | |||||||||
収録物識別子 | AA12519591 | |||||||||
収録物名 | ||||||||||
言語 | en | |||||||||
収録物名 | International journal of Okinawan studies | |||||||||
書誌情報 |
巻 1, 号 1, p. 111-122 |